Thursday, 17 April 2008

Poignant or Pretentious? The Perils of Perusing Poetry

Background: Over on Millennium Hand (that comes with 2 'n's, and highly recommended), there's a nice little discussion started on poetry, starting with MH/Y/Han Solo asking for suggestions on what poetry to read, to which I responded that '[P]oetry works ... but it’s tough to find good poetry on your own - where do you draw the line between the poignant and the pretentious?'. I figured I'd expand on the point here, since it might get too long to put in the comments.

The point I was trying to make was as follows: Good poetry will evoke a strong response from the reader, as will really bad poetry. However, a lot of poetry falls in the middle - sometimes it feels like the poet couldn't put into words all that was going on his/her head, sometimes you feel like you may be reading too much into the poem, and sometimes you're just going 'WTF?'. It gets worse if you don't have a context to place the poem within. It's a bit like trying to taste a wine and figure out if it's something worth drinking, something you don't like right now but should acquire a taste for, or just overpriced plonk.
For example, consider the following poems. The first is a haiku attributed to Jason Strugnell (more on that later):
November evening:
The moon is up, rooks settle,
The pubs are open.

Now consider this poem, 42 by e. e. cummings

n

OthI

n

g can

s

urPas

s

the m

y

SteR

y

of

s

tilLnes

s


Now go back and read the two again. Hold whatever thoughts you have.
Now go read up on Strugnell and cummings. Does your perception of the two poems change?
I don't think the haiku is great, but I bet if I recommended it enthusiastically enough to people, a fair number would just wrinkle their brow and wonder why they didn't get it. Similarly, the cummings poem makes some sense only in the context of his larger work. Otherwise, it's borderline pretentious.
In short, context can make or break a poem. Also, it helps to have someone you can trust recommend stuff to you.
Incidentally, if you're really interested in reading poetry, you could do worse than joining the mailing list at the Wondering Minstrels. Along with poetry, you get context. I managed to keep up with it for a fair while in college, but I eventually fell too far behind in my reading once I started work to really keep up with them. I remember introducing at least one friend to the list in college, and she became a pretty regular contributor after that.
In lieu of a smart and sassy closing statement, here's a poem from the person who created Strugnell, Wendy Cope:
Making Cocoa for Kingsley Amis
It was a dream I had last week
And some kind of record seemed vital.
I knew it wouldn't be much of a poem
But I love the title.

Sunday, 13 April 2008

Is that a book in your back pocket, or are you just putting on weight?

There's this article from the NY Times, which not one, but two of the blogs I subscribe to on Google Reader commented upon, which makes it a matter for serious consideration. The gist of the essay is this:

Anyone who cares about books has at some point confronted the Pushkin problem: when a missed — or misguided — literary reference makes it chillingly clear that a romance is going nowhere fast. At least since Dante’s Paolo and Francesca fell in love over tales of Lancelot, literary taste has been a good shorthand for gauging compatibility.
If this were true, it would mean that I'm destined for a life filled with short, unfulfilling relationships with the fairer sex.

Consider, for instance, the picture at right - that's the first shelf of my (tiny) bookshelf. The authors on that shelf include Ray Bradbury, le Carre, Chuck Palahniuk, Gaiman, Camus, Philip K Dick, Hunter S Thompson, Che Guevara, Ramchandra Guha, Richard Dawkins, Tim Harford, Thomas Friedman, Michael Lewis, Malcolm Gladwell, Amartya Sen and a bunch of others. I doubt if most of the women I know (not that I know too many), or even the ones I may come to know in future, would read all or even most of them. And that's not even considering the remaining shelves, other books I've read but do not own, the collection of comics and graphic novels on my comp, or the masses of automotive magazines I end up accumulating. This is not a criticism of the women I know - most of the men I know won't get around to reading all of them either. It's never really mattered to me, really- reading for me has always been more of a personal indulgence, the way other people listen to music or something. In fact, it's even more personal: I don't think I could ever get around to recommending books (except maybe to younger relatives and such-like). A common like or dislike may have reinforced a few relationships, but I don't think it's ever been a standalone factor in the success or failure of any of them. So thinking of books as a way of scoping out women just seems rather strange to me.
Of course back in college I did try to look all intellectual at times by carrying 'angle' books to class. That was partly inspired by watching this senior of mine drape himself on the steps or in the various nooks and corners in and around the main corridor, wearing crumpled clothes and engrossed in whatever he was reading until distracted by his hot girlfriend. I don't think I ever impressed any women, but I did get around to reading some pretty good stuff. Conversely, though, the only time I've had a woman come and talk to me at a pub was also over a book - a copy of 'Pundits from Pakistan' I had with me one day at Toto's. It turned out she knew the author and was trying to gather feedback for him, and further conversation revealed that she knew much of the crowd at Cricinfo, including 'Young George' as she referred to him, but still, that counts. So maybe carrying a book around does help with the women.
I don't think I've ever met a woman who shares similar reading preferences to mine, except for my sister, and the latter only because she was a major influence on my reading choices growing up. Which does put me in a tight spot, if the essayist is to be believed. I'd have to feign an interest in Paulo Coelho, I guess, to get anywhere. Having said that, I would be somewhat apprehensive about meeting someone who actually reads the same stuff that I do. It would kill some of the excitement of reading something new if I knew she had already read it. And I'm sure there would be petty arguments to establish which one is the bigger Wodehouse fan.
Frankly, I'm just happy to have people around me who read, irrespective of what they read and whether they are friends or prospective dates or whatever, and (hopefully) we don't judge each other based on what we're reading. Having said that, if you're a single woman who knows her Rorschach from her Rorschach, drop me a comment. Heck, if you're a woman reading this blog, drop me a comment. It would be a nice change.